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Composers persecuted in WWII

During the Second World War, many composers were persecuted by the Nazi’s, because they either had a Jewish background or refused to comply with Nazi rules. Their music was banned from all public performance. The Leo Smit Foundation, founded in 1996, is committed to regain this music.

In more than 200 concerts, we’ve brought to life music that was lost and forgotten. With this website, we share with musicians, programmers and music lovers worldwide what we’ve found, starting with music from composers who lived and worked in the Netherlands.

Here you can search for composers, works for various instrumentations or vocal repertoire. Find scores, look at manuscripts and listen to sound samples.

featured composer

Max Vredenburg (1904 - 1976)

Max Vredenburg is especially known for his pioneering role in the establishment of Jeugd en Muziek Nederland (Youth and Music in the Netherlands). As a music critic, he worked for almost all the Dutch newspapers sharing his great knowledge with readers. As a composer he left a varied oeuvre. A unique man, who honestly and tirelessly expressed his love for music. A modest and amiable person with an exemplary work ethic and a strong desire to realize his ideals. by Aagje Pabbruwe more

new additions

August 23, 2024

Ignace Lilien

Symphonie no. 4
1. Allegro ma non troppo-Maestoso 2. Andante (Molto tranquillo) 3. Scherzo 4. Finale (Fuga a 9 voci a 3 soggetti) + piano reduction (piano 4 hands)
May 1, 2024

Wilhelm Rettich

Sinfonische Variationen op. 54
Symphonic variations on a theme by A.Z. Idelsohn I (…) II Variation I III Variation II IV Variation III V Variation IV VI Variation V VII Variation VI VIII Variation VII IX Cadenza e Coda
March 20, 2024

Wilhelm Rettich

Sinfonia Giudaica op. 53 (Symphonie Nr. 3)
Judaic symphony (symphony 3) I Molto lento II Scherzo III Adagio mesto e sostenuto IV Finale

L'anneau - Henriëtte Bosmans

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Words by Fernand Mazade. Sept. 1951 Orchestrated version by Willem …

Support this site

Are you happy with the attention we pay to this almost forgotten music? Consider a donation to help us continue and expand this collection.

U.S.-based donors may support our activities in a tax-efficient way through a contribution to the Leo Smit Fund at the Netherland-America Foundation, Inc. Because the NAF is a public charity, within the meaning of Sections 501 (c)(3) and 509 (a)(1) of the U.S. Internal Revenue Code of 1986, as amended, donors may claim the tax benefits allowed by U.S. tax law for their contributions.

Please visit http://thenaf.org/leo-smit-foundation for more information.

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Forbidden Music Regained

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