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Concert voor piano en klein orkest op. 30

By Marius Flothuis

genre
Orchestra
instrumentation
Piano and orchestra (1fl 1ob(eh) cl fg 2h timp str pf-solo)
duration
16 minutes
year
1948
location of manuscript
www.nederlandsmuziekinstituut.nl archive registration number 351/029
status
published score
order printed score here
dedication

Dedicated to Maria Stroo

Details

Concerto for piano and small orchestra

Allegretto piacevole
Larghetto
Molto vivace 

Motto: “tantus labor non sit cassus” (from Dies irae) ‘let not so much hardship be in vain.’

Program note: The 'Concerto' was completed in 1948. It was written for a young Dutch pianist, whose very small hands did not allow her to play the romantic repertoire and the greater part of the contemporary works. It occurred to me that it should be possible to write a concerto in a contemporary idiom, the technical demands of which would not exceed those of a Mozart Concerto. In connection with this I chose a very small orchestra, containing only 1 flute, 1 oboe (cor anglais in the second movement), 1 clarinet, 1 bassoon, 2 horns, timpani and strings.
The structure of the work is very simple and almost classic. The first movement has three themes, succeeding each other in the following order: a-b-c-b-a. The second movement is in ternary form, the last is a rondo. Themes of the first and the third movement are combined in the finale.
The 'Concerto' is dedicated to Miss Maria Stroo, who played it several times, e.g. at the ISCM-festival in Brussels in 1950. - MARIUS FLOTHUIS

Amsterdam

About Marius Flothuis

Marius Flothuis

Marius Flothuis led an eventful life. Early on, he was politically aware and left-wing orientated. He lost his job at the Concertgebouw Orchestra on his refusal to register with the Kultuurkamer, a regulatory cultural agency installed by the German occupying forces during World War II. He was arrested for his resistance work, imprisoned in Camp Vught and deported to Sachsenhausen in 1944. Meanwhile, he continued composing and survived the hardships. In the postwar Dutch and international music worlds he held numerous positions.

by Joyce Kiliaan