Forbidden Music Regained

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Composers persecuted in WWII

During the Second World War, many composers were persecuted by the Nazi’s, because they either had a Jewish background or refused to comply with Nazi rules. Their music was banned from all public performance. The Leo Smit Foundation, founded in 1996, is committed to regain this music.

In more than 200 concerts, we’ve brought to life music that was lost and forgotten. With this website, we share with musicians, programmers and music lovers worldwide what we’ve found, starting with music from composers who lived and worked in the Netherlands.

Here you can search for composers, works for various instrumentations or vocal repertoire. Find scores, look at manuscripts and listen to sound samples.

featured composer

Dick Kattenburg

Dick Kattenburg (1919 - 1944)

Dick Kattenburg was extremely talented. It was obvious that he would enjoy a flourishing career as a violinist for years to come. Even today, some seventy years later, his appealing music immediately touches the heart. A large part of his oeuvre was created during his period in hiding. He was murdered at the age of 24. Thanks to his romance with a young flutist, his manuscripts were preserved and found an audience after all these years. by Carine Alders   more

new additions

  • November 7, 2024
    Marius Flothuis

    Concert voor fluit en orkest op. 19

    Introduzione-Tango e Walzer-Coda Rondo Variazioni Composed while in captivity in KLH (Konzentrationslager Herzogenbusch) From the programme notes of its premiere: ‘Het fluitconcert werd in gevangenschap gecomponeerd en de 21e Juni 1944 te Vught voltooid. Het is opgedragen aan Everard van Royen, die zich ten tijde van de compositie eveneens in het concentratiekamp Vught bevond. Er is nauw verband tusschen de drie deelen van het werk: de variaties (derde deel) zijn gebaseerd op de bas van de tango uit het eerste deel; aan het slot keert de tango terug, gecombineerd met de begin-melodie der variaties. In het Rondo (tweede deel) komt een kleine cadens voor, waarin motieven uit het eerste deel optreden. De orkestbezetting bestaat uit strijkers, 3 hoorns, 4 pauken, vibraphoon en celesta. Men zoeke niet naar eenig verband tusschen de “inhoud” van het werk en het feit, dat het in gevangenschap is geschreven. De componist vermijdt elke programmatiek. Wèl kent hij aan de muziek het vermogen tot expressie toe – daarbij meer het voorbeeld van Mozart volgend dan dat van Strawinsky, die in zijn “Chroniques de ma vie” aan de muziek dit vermogen ontzegt – doch voelt zich niet geroepen te trachten in woorden te omschrijven, wat in de muziek is uitgedrukt.’
  • August 23, 2024
    Ignace Lilien

    Symphonie no. 4

    1. Allegro ma non troppo-Maestoso 2. Andante (Molto tranquillo) 3. Scherzo 4. Finale (Fuga a 9 voci a 3 soggetti) + piano reduction (piano 4 hands)
  • May 1, 2024
    Wilhelm Rettich

    Sinfonische Variationen op. 54

    Symphonic variations on a theme by A.Z. Idelsohn I (…) II Variation I III Variation II IV Variation III V Variation IV VI Variation V VII Variation VI VIII Variation VII IX Cadenza e Coda

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